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Instructors |
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Shelby Lee Adams
We are proud to have this year as our
keynote presenter, one of the premier photographers working
in the world today. In his new works, Adams introduces us to
families who have moved out of the remote mountain areas
into trailer parks, where electricity and satellite dishes
dominate the landscape. Whether photographing a father and
child surrounded by their cows, a family gathering on a
porch during Halloween or an older couple posing with their
dog in front of a new satellite dish, Adams's images are so
raw we want to both turn away and stare. That Adams returns
to the mountains year after year is a testament to his
dedication to show their challenging existence while
maintaining their dignity. Although he now lives in
Massachusetts, Shelby Lee Adams's heart is forever in
Appalachia. |

daguerreotype by Mike Robinson |
Sandy King
A photo historian and landscape
photographer working primarily with large and ultra large
format cameras, Sandy prints primarily with alternative
processes. A recognized master of the carbon transfer
process, he is also the author of "The
Book of Carbon and Carbro: Contemporary Procedures
for Monochrome Pigment Printmaking". Sandy has a
Ph.D. in Spanish Language and Literature and taught for many
years at Clemson University. His research focused on the
history of photography in Spain, and he has published
several books in the area of Pictorialism. Recently retired
from Clemson University, Sandy still lives in South
Carolina. It is an honor to have him as an instructor at
this year's event. |

photograph courtesy of
Eben
Ostby |
Kerik Kouklis
Kerik Kouklis is
a California-based fine-art photographer, with a reputation
that reaches far and wide. Specializing in
19th century alternative processes, specifically gum over
platinum as well as the wet-plate collodion process,
Kerik brings not only his excellence as a photographer, but
high marks as a photographic educator as well. Having taught
workshops from Yosemite at the Ansel Adams center to the
wilds of Scotland, we are lucky to have him for his first
(and hopefully not the last) Photostock. An amazing and
patient teacher, he is a lot of fun to work with as well. To learn more
about Kerik and to see more of his work, check out
www.kerik.com. |
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David "Ike" Eisenlord
David Eisenlord or "Ike" as he prefers to be called, is a
Minnesota based photographer primarily working with the
landscape. Freshly back from the honor of a 5 week Artist
Residency at Sirius
Art Center,
Cobh, County Cork Ireland, Ike's gum over
platinum waterscapes have been getting a lot of attention
lately. A veteran of 2 previous Photostock gatherings, this
is Ike's first year in the role of instructor where he will
be assisting Kerik Kouklis with the Digital Negative and Gum
Over workshops. We certainly hope it will not be his last
working with us as we have big plans for him in the future.
See more of Ike's work and purchase his very special first
book "Boundaries,
Light, Land and Water" on his website at
www.davideisenlord.com.
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Bill Schwab (me)
I am a Michigan based landscape
photographer and the founder and host of this annual
Photostock event. I've been very fortunate to have had my
work shown, published and collected the world over and for
that I am eternally grateful. My work is part of many
corporate, private and public collections including The
Detroit institute of Arts, Cincinnati Art Museum, George
Eastman House among others. Among my publication credits are
2 monographs, "Bill Schwab: Photographs", 1999 and
"Gathering Calm: Photographs 1994-2005", 2005. It
pleases me a great deal to be able to produce this annual
event and I have big plans for it and the other workshops
based upon my Northern Michigan property in the years to
come. Come join me!
To see more of my work, I invite you to my website at
www.billschwab.com.
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Joe Smigiel
Joe returns to us as an instructor for a second year
having run an excellent
workshop at last year's Photostock 2008 and we couldn't
be happier to have him back. He hails from Kalamazoo,
Michigan where he is employed at
Kalamazoo Valley Community College as a photography
instructor and facilities manager. He has been
teaching college-level courses in several disciplines since
1982
and is the author of the popular online guide to "Getting
Started In Wetplate Collodion Photography."
In a relatively small
amount of time, Joe has made a respected name for himself
after first learning the collodion process from Michael
Mazzeo and later reinforcing that knowledge through study
with master tin typist
John Coffer.
Primarily working
with the figure, Joe has worked almost exclusively in the
wet plate process ever since and has even converted a
Class-C motorhome into a mobile wetplate darkroom, dubbed
"The Magic Bus", for on-location work.
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